This essay was written for the first issue of Mole Magazine, Cute Little Things, Edited by Iggy So. It first considers if such a thing is even possible? “Drawing” and “little” don’t usually go together. Drawings are naturally big. The precision and control that distinguishes them from sketches (which are almost always little) tends to require a certain size. There's also the matter of density. The phrase, “Cute drawings,” also verges into tantalizingly oxymoronic territory. If drawings are about having an experience or reading “into” lines to convey space, it would seem illogical, even handicapping, to anthropomorphize them.